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Taken 20-Jul-14
Visitors 12


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Dimensions6843 x 4777
Original file size2.57 MB
Image typeJPEG
Color spacesRGB
Date taken20-Jul-14 14:51
Shooting Conditions

Camera makeNIKON CORPORATION
Camera modelNIKON D800E
FlashNot fired, compulsory mode
Exposure modeAuto
Exposure prog.Shutter priority
ISO speedISO 200
Metering modePattern
Digital zoom1x
Moving on now to Ranworth and its parish church. Access up the tower was available here.

Moving on now to Ranworth and its parish church. Access up the tower was available here.

The treasures of St Helen are very well-known, so I will not attempt to surprise you with them. (not to me they are!!!)Two are virtually unique, the third the finest of its kind. The first of them sits just inside the door, the Ranworth Antiphoner, a large singing book now in a bullet-proof glass case. This illuminated manuscript was produced at Langley Abbey, and used in this church before the Reformation, and then disappeared for three hundred years. In the 1850s, it was discovered in the collection of the merchant banker Henry Huth, but it was not until its sale in 1912 that it was recognised as coming from Ranworth originally. By one of those miracles that sometimes happens at the right time, it was bought and returned here. Tom tells me that for many years it was kept in a room on the tower stairs.

A further research reveals -
The Ranworth Antiphoner is a 15th-century illuminated antiphoner of the Sarum Rite). It was commissioned for St. Helen's Church, Ranworth, where it is now on display. The volume comprises 285 vellum pages of writing and illustrations, with daily services in medieval Latin and 19 miniatures.
The manuscript was probably the Antiphoner bequeathed to the church in 1478 by William Cobbe.[1] Previously thought to have been produced by the monks of Langley Abbey, examinations of the illuminations suggest that the Antiphoner was manufactured by a Norwich workshop - a basic antiphoner could be produced on spec., and personalised to order.[2] Two things may back this up: 1) the insertion at the end, out of order, of the office of St Helen; 2) Revd. Enraght's suggestion of a terminus post quem non of 1443, owing to the lack of a feast of St Raphael, which was instituted in that year.
The Antiphoner miraculously survived the Reformation, probably thanks to the local Holdych family. It fell into private hands, including, in the 1850s, those of Henry Huth, and eventually re-surfaced at auction in 1912, where it was bought and returned to St. Helen's.